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ART CUT '26

Exercises in Empathy: Spiritual Machines

6 october - 20 november, Milan, Università Cattolica del Sacro Cuore

ArtCut 2026 – Exercises in Empathy: Spiritual Machines is the first edition of the Catholic Universities’ Triennial of Contemporary Art, conceived by Cardinal José Tolentino de Mendonça and curated by Nuno Crespo.

A major international project involving universities, artists and curators from different countries and continents, created to explore the theme of empathy through art: the ability to connect with others, to listen, and to view the world from different perspectives.

The Italian leg of the project, entitled Spiritual Machines, brings this reflection to the historic spaces of the Catholic University through the works of Orla Barry, Rui Chafes, Rodrigo Cass and Gian Maria Tosatti. Sculptures, videos, soundscapes and environmental installations engage in dialogue with the Bramante cloisters and the 20th-century architecture of the university, transforming spaces of university life into places of experience, listening and contemplation.

The title stems from a question that runs through the entire exhibition: what space remains today for inner life, relationships and the spiritual dimension, in a world increasingly mediated by technology?

The works invite us to slow down, observe and listen. Iron may seem to lose its weight, geometry may become a tangible experience, sound may open up an inner space, and light and shadow may transform our perception of a familiar place.

Rather than an exhibition to be viewed from a distance, Spiritual Machines is an invitation to experience art and the University’s spaces in a new way: an exercise in mindfulness and empathy.

ART CUT '26

 

 

Artists

ORLA BARRY

Orla Barry is an Irish artist born in Wexford in 1969. After living in Brussels for sixteen years, she returned to the Wexford countryside on the south-eastern coast of Ireland, where she now lives and runs a flock of Lleyn sheep. This experience...

RODRIGO CASS

Rodrigo Cass was born in São Paulo, Brazil, in 1983, where he lived and worked until his death in 2026. He trained in Visual Arts at Faculdade Santa Marcelina and also studied Philosophy and Theology at the Faculdade Jesuíta in Belo Horizonte...

RUI CHAFES

Rui Chafes was born in Lisbon in 1966 and continues to live and work in the city today. He trained as a sculptor at the Faculdade de Belas Artes, graduating in 1989. From 1990 to 1992, he studied at the Kunstakademie in Düsseldorf ...

GIAN MARIA TOSATTI

Gian Maria Tosatti (Rome, 1980) is an Italian visual artist, journalist, and essayist. His early training was rooted in performance, initially at the Centro per la Sperimentazione e la Ricerca Teatrale in Pontedera (Pisa), a centre for production... 

Works

Nome file
Percorso museale ArtCut26.pdf
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Download the Artcut26 itinerary
  • Rodrigo Cass
    Caos Primordial, Amor
    2026, Cemento, pigmento e tempera su lino/ Concrete, pigment and tempera on linen, 66 x 73 x 3 cm
  • RUI CHAFES
    Cinza
    2000, acciaio/iron; 714 x 280 x 280 cm; Col. Peter Meeker (Depósito na Fundação Serralves, Porto
  • Rodrigo Cass
    Civilização Americana
    2012 Proiezione video e audio; cemento, vetro, libro, legno su carta ; 47 x 36 x 9 cm. Video: 8’53” · Area di proiezione [projection]: 100 x 65 cm
  • RUI CHAFES
    Lua exausta
    2000, acciaio/ iron; 230 x 60 x 80 cm; Colec. José Lobo de Vasconcelos
  • Rodrigo Cass
    Mística Amorosa
    Video projection on gold plated brass and tempera on wood, audio. Vídeo: 11’22” ·
  • RUI CHAFES & ORLA BARRY
    Non detto
    2001, Iron sound installation, photography; 210 x 79 x 108 cm; CACE State Contemporary Art Collection Cascais, Portugal
  • Rodrigo Cass
    Offerta di latte, ragazzo del latte
    2024, Video proiezione e audio sopra tempera su lino e acrilico/ Video projection on tempera on linen, acrylic, audio Escultura: 87 x 127 x 36 cm. Video: 12’33’’ · área projeção: 78 x 104
  • RUI CHAFES
    Quero tudo de ti
    Heavy yet seemingly immaterial, Chafes’s Iron sculpture takes on the quality of an organic presence, suspended between body and abstraction. The fluid and sinuous forms of the work suggest a living presence reaching towards another body.
  • Rodrigo Cass
    Revolução do ar
    2026, Cemento, cemento bianco e tempera su lino./ Concrete, white concrete and tempera on linen 73 × 80 × 4 cm.
  • Rodrigo Cass
    Revolução Sensível
    2026 Cemento, pigmento e tempera su lino/ Concrete, pigment and tempera on linen; 89 x 87 x 3 cm